Everyone has one more masterpiece left in them. A reminder of why they were great in the first place. Another chance to point a crooked finger shaped from years of forming chords, saying, "And you thought I was finished..."
Paul Westerberg's only sin was releasing Don't Tell A Soul as a Replacements album instead as a solo piece. It leaves you with no other choice but to gawk at it, trying to find a way to accept or deny it on it's own merit. That is quite a tricky process and ultimately I learned to accept it as a transition piece.
Lyricists working at Westerberg's level are rare, maybe a handful per generation. He never found words, he stitched them together like a tailor, crafting suits that you can always wear. No trendy or high fashion splash, simply beautiful work.
Quirky self-made basement tapes and bizarre alter-ego. He's still out there, waiting for the next moment.
Only one sin in an entire life of making music and not once did he roll us.
Monday, February 6, 2012
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